Download cool edit pro untuk pc.Cool Edit Pro 2.0
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Download cool edit pro untuk pc
Cool Edit Pro Crack + Serial Key Free Download [Latest] – FreeProSoftz
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Images Donate icon An illustration of a heart shape Donate Ellipses icon An illustration of text ellipses. The Waveform Statistics feature conveys a wealth of information about the content of your audio. The new edition of CEP boasts a lot of new and substantially improved features compared with the original, and the graphical interface has been 'prettified' too. Microsoft's new 'Corona' technology for multi-channel audio coding WMA Pro will also be supported shortly.
Audio can be recorded into CEP 2. CEP runs using the computer's native processing power, and the rapid increase over the last few years of CPU power and hard disk data transfer rates has allowed Syntrillium to increase its real-time processing facilities enormously. For example, the maximum number of tracks in a session has been increased from 64 to , with full track bussing subgrouping functions and, for the first time, a wide range of real-time effects, processing and equalisation on each track.
A rather welcome side-effect of all this new real-time processing is that the user no longer has to wait for Undo files to be created and saved, which increases the speed and immediacy of the program considerably. The track EQ facilities in the multitrack window offer 'A' and 'B' settings, allowing comparison of two different equalisation curves, or perhaps the creation of a 'reference' and 'modified' setting. Each of the three bands of the fully parametric EQ can range across the entire audio spectrum, and the top and bottom bands are configurable as traditional shelf equalisers or bell curves.
Needless to say, the advent of real-time equalisation makes life far simpler compared with CEP 1. Some familiar and unusual real-time effects, processes and manipulation tools are also included in CEP 2.
Some of the more practical include a stereo field rotate function essentially an automated panning function , built-in reverb, dynamic EQ, dynamic delay which changes the amount of delay over the duration of the audio clip , a fantastic Doppler shift simulation function, a frequency band splitter to enable multi-band compression and other complex frequency-dependent processing to be created , and support for DirectX plug-ins.
There is also a 'graphic phase shifter', which is not a phaser in the familiar sense at all, but a tool allowing the phase of a clip to be manipulated. A new 'phase analyser' display is also provided to generate a Lissajous figure or vectorscope display much like that provided by the familiar DK Audio hardware meter and its peers.
There are sufficient effects, processors and tools to get virtually any job done, grouped into categories such as amplitude, delay, filters and noise reduction.
The noise reduction facilities cater for reasonably sophisticated click and pop removal, signature-based noise reduction, peak-clipping restoration, spectral analysis, and many more. These processes may not quite reach the ultimate quality of CEDAR's state-of-the-art algorithms, but they are certainly effective if used carefully.
Even with all this sophisticated real-time processing, CEP 2. However, the faster your computer's processor and greater the system memory, the more effects and EQs that can be employed at the same time. If you do run out of processing power, CEP provides the ability to pre-process selected 'locked' tracks such that the original raw audio tracks are replaced with processed versions stored temporarily in memory, thereby freeing up real-time processor power for use elsewhere.
With the new track grouping bussing feature, it is also possible to combine several tracks through a virtual mix buss or stereo busses and apply an overall effect or process. This approach reduces processor overheads even further: a single reverb process can be added to an entire arrangement, for example, rather than having to process each track individually.
A function missing from the original version but always high on Syntrillium's wish list was the ability to 'rip' material from audio CDs and to burn CD-Rs with accurately placed PQ flag track markers. CEP 2. The CD-burning function is implemented as a plug-in currently still in beta form and available from the web site which appears as a button in the Edit window when installed.
This allows individual tracks to be selected and dumped into a file in much the same way as most bundled CD-writing software such as Nero and Easy CD Creator.
This seems a crude approach to me, and I would have preferred markers to be placed in reference to the session timeline ideally in the multitrack window , which is the way high-end platforms such as SADiE do it.
The Waveform Window can be set up to show spectral displays For the seasoned CEP 1. Inevitably, the functionality and restructuring have resulted in some significant changes to the user interface, which may well confuse those used to the previous version. One of the first that I spotted was the appearance of a large drop-down menu list when right-clicking in the Edit window. Previously, a right-click would extend a selected area all the way up to the current mouse location, a very handy facility which made 'fast and dirty' editing wonderfully quick and easy.
However, I later discovered that the right-click extension facility is still available if the Ctrl key is held at the same time as right-clicking. Even better, Syntrillium have provided a user option under the Preferences menu to revert to the original right-click mode, after which the menu list can be made to appear with Ctrl-right-click instead!
There are far too many operational changes to list each one, but another function I discovered by accident is a new right-click menu in the multitrack window. Compared with previous versions, the new-look CEP 2. Windows can be moved as 'floating' windows or docked to other windows, so the screen layout can be tailored to suit individual preferences. The last used window arrangement is recalled when the program is started, but there is a facility to reset everything to the factory default if required.
When the first computer audio editors appeared, including early versions of SADiE, Sonic Solutions and Pro Tools to name but three, I was one of many who queried the usefulness of on-screen mixers that could only be controlled by the single 'finger' of a mouse. Most products quickly acquired 'automation' facilities so that a complex mix could be built up one channel at a time, but this was a tedious workaround in most situations. A better solution was to implement interfaces and design special hardware control surfaces to enable physical multi-fader mixing — a far more intuitive and rewarding solution, although often rather expensive.
Syntrillium have adopted a similar approach in CEP 2. In addition to the automation envelopes already available, CEP now adheres to Microsoft's 'Human Interface Device' protocol, allowing communication with a growing number of external hardware controllers. This is a relatively simple but efficient transport and monitor control unit that hooks up via USB see ' Red Rover ' box. Cool Edit Pro v2's multitrack window now offers extensive sample creation and looping facilities.
The sample looping facility of CEP is an exciting and creative new function which has uses far beyond the immediately obvious. The comprehensive loop creation and management tools included in the multitrack window come complete with some clever functionality to match tempos and keys between samples and loops.
The loops used carry the CEL suffix, but are actually stored in MP3 Pro format, a new and very efficient but high-fidelity data reduction codec. A few samples are shipped with the product, but not enough to really get your teeth into. However, a quick surf over to a dedicated web site, loopology. Whatever your preferred style, there is probably something here to suit, played by real musicians on real instruments!
Loops can also be searched by instrument piano, synth, guitar, drums, and so forth and thanks to the data reduction, even lengthy loops can be downloaded pretty quickly. After 'unpacking' they can then be dropped straight into a song. The Loopology loops are all free for use in either commercial or non-commercial projects, and the method of manipulation — as well as the loops themselves — is so good that knocking up a decent backing track, creating a music bed or sting, or just experimenting with song structure is remarkably fast and easy.
Some of the most significant new additions to CEP 2. The looping facilities see box above are very impressive and remarkably easy to use, with an extensive and completely free loop library available via the Internet. Should you be interested in writing music for picture or adding a soundtrack to your home movies, CEP will also accommodate AVI video files and run them locked to the multitrack timeline, with the picture being displayed in yet another floating window.
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